Harold pressed his forehead against the shop glass and waited. The mannequins exhaled softly, fogging the window from the inside. One wore a dress that glittered like frozen honey, another a sky-blue shirt stitched from melted clouds. Their headless bodies leaned toward him, humming in a frequency only pigeons seemed to understand. He felt his ears vibrate. Come in, Harold, they sang without mouths. Your size is extinction. He stepped back, but the pavement swayed like the deck of a ship. The railings ahead bent and straightened, bent and straightened, like a row of tall, iron dancers rehearsing badly. Some bent forward to whisper confessions—I used to be a violin, one admitted, while another swore it had once been a spine. Harold believed them, though he wasn’t sure if they were lying. He wondered if he too had once been something else. A coat? A bird? Bleeding pink graffiti in the doorway dripped onto his shoes. The letters screamed, reshaping themselves with each blink: sometimes a spell, sometimes an instruction manual, sometimes a recipe for soup. The final G twisted into a spiral, pulling him closer. He stumbled, but the mannequins were already outside now, clapping soundlessly, their hands made of glass hammers. The city folded, not collapsed but folded, into neat pleats. Harold slipped between them like a bookmark, humming the mannequin song. He wasn’t Harold anymore—he was in all of it, dripping pink, bending iron, humming in frequencies only dogs could hear.